Of prints and poetics

For me, print has always occupied a liminal or transient position:
print as an arrested moment, a space for contemplation,
a forced breath, an exhalation.

Jungle Fever

Edition of 10
CMYK Screenprint on Somerset Satin 250gsm
40 x 50cm

 
 
 

They stand as gentle provocations, willing the viewer to remember a time, a place or a feeling.

 
 
 
 
 

Longing for Thunder

Edition of 9
6-colour screenprint on Madrid Litho 350gsm
30 x 40cm

Yearning for Rain

Edition of 9
6-colour screenprint on Madrid Litho 350gsm
30 x 40cm

Places of Quiet 1.jpg

There is a wonderful beauty and calm both in drawing and in the printmaking process. I have always been interested in the philosophical implications of labour,
printmaking and the poetics of the everyday experiences.

Artwork:

Places of Quiet
Edition of 10
Screenprint on Somerset Satin 250gsm
24.5 x 30.5cm

Rend #1

Edition of 15
Stone lithograph on Somerset Satin 250gsm
30 x 40cm

Rend # 2

Edition of 15
Stone lithograph on Somerset Satin 250gsm
24 x 32cm

 

The poetics of entropy

This series of drawings investigates the poetry of fragility, destruction and transience. By freezing an entropic moment of shattering glass, the series seeks to find beauty and calm in the act of drawing and the reclamation of brokenness.

Behold, I stand before a sea of glass

Copperplate gravure on Hahnemühle Etching 300gsm
30 x 40cm

 
 

Trace of a performance: a gesture in place

In this work drawing is used as a means to record the controlled performing of a pirouette - a complete turn of the body on one foot on demi-pointe. The pirouette as a gesture is also a metaphor of quasi-progress - the expression of time and work without traversing any ground - it performs both virtuosity and futility, in place and on time.

 

Progress in Place : Pirouette

Edition of 20
2-colour screenprint on Madrid litho 350gsm
50x70cm

Prayer Circle: Vested I-II

As a response to the painting The Black Christ (1962), this work sets up a similar martyr/persecutor relationship with the viewers being made to view the work from a radial distance, forming a prayer circle. Through robing myself with an apron and amice I am performing both the priest as well as the harlot, creates a contemplative space to grapple with the choice to edify or condemn. This artwork was created for Visual Arts Dept staff exhibition as part of the Woordfees festival in Stellenbosch, South Africa in 2012.

Vested I

Edition of 30
Digital print on Hahnemühle Photorag 308gsm
40 x 60cm

Vested II

Edition of 30
Digital print on Hahnemühle Photorag 308gsm
40 x 60cm